From Reflection to Hyper – Hitting The Sunset Strip for Live Music

Had the privilege and pleasure of hitting up the Sunset Strip a handful of times this week, Monday, Tuesday, Wednesday and Friday nights, but I finally remembered to bring my camera to Talib Kweli & Hi-Tek at House of Blues on Wednesday and Hyper Crush last night at The Roxy. Both acts come with a hip-hop edge, but wildly different spectrums. Kweli & Hi-Tek representing Reflection Eternal and their lyrically rich and classic sound whereas Hyper Crush is a flavor of the new electro-fueled party anthem hip-hop variety in the vain of other artists like LMFAO.

Kweli ripped it from the minute he got on stage – opening with an original Reflection Eternal banger “Move Something.” The lyrics were on fire and Hi Tek backed him up perfectly all night – especially in the series of opening cuts from their original record. Concentrating on old material as they got going, they satisfied the crowd’s hunger to hear their original (and arguably ground breaking) works. I was definitely satisfied, although still wish I’d gotten to hear “Africa Dream.”
Hyper Crush came out on fire. Immediately after premiering their video to a wild, young, intoxicated and neon dressed crowd, the curtains lifted and they smacked the crowd in the face with their electro-dance hip-hop fusion. The crowd was shook, screamed, raised their hands on command, crowd surfed and clamored for more. Hypercrush did a great job of controlling The Roxy crowd energy and made sure they delivered on fans expectations, by hosting Far East Movement on stage for a track and on playing fan favorites, like “Robo Tech” (whose video we have just below) and their live remix of La Roux‘s “Bulletproof.”

All in all, despite missing the opening acts, I had a great time. Like the aforementioned LMFAO, Hypercrush destroyed a sold out show at The Roxy. LMFAO just opened for Black Eyed Peas at Staples Center - so who knows what is next for the interesting trio they call Hypercrush?

Pictures and post by Brandon “Boom D” Dorsky

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